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英国工人阶段级银幕形象及其文化诠释 英文PDF|Epub|txt|kindle电子书版本网盘下载
- 石同云著 著
- 出版社： 天津：南开大学出版社
- ISBN：9787310047727
- 出版时间：2015
- 标注页数：305页
- 文件大小：55MB
- 文件页数：316页
- 主题词：电影影片－无产阶级－人物形象－研究－英国－英文
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图书目录
CHAPTER Ⅰ．INTRODUCTION1
The Significance of Class and Film Representation1
British Social Realism Tradition6
Research Methodology11
Literature Review12
Structure20
CHAPTER Ⅱ．BRITISH CULTURAL STUDIES ON CLASS AND WORKING CLASS22
Culture:From Elitism to"A Whole Way of Life"of People24
Althusser on Ideology and Gramsci on Hegemony29
Stuart Hall and the CCCS34
The Marginalization of Class and the Moral Significance for the Study of Class45
Identity and Representation47
CHAPTER Ⅲ．CLASS AND WORKING CLASS IN BRITAIN:SOCIOLOGICAL AND HISTORICAL UNDERSTANDING51
Defining and Classifying Class and Working Class52
Looking at Class:Britain—A Class or Classless Society?60
The Rise and Decline of British Working Class78
The"Underclass"and Devaluation98
CHAPTER Ⅳ．WORKING CLASS IDENTITY IN NEW WAVE FILMS104
From the Grierson Documentary Movement to the New Wave105
Room at the Top(Jack Clayton,1959)116
Saturday Night and Sunday Morning(Karel Reisz,1960)126
Working-class Identity in New Wave Films:Theme Analysis135
CHAPTER Ⅴ．WORKING-CLASS IDENTITY IN FILMS OF LOACH,LEIGH AND FREARS149
Thatcherism and the Working Class150
Mike Leigh and High Hopes(1988)153
Class and Race in Stephen Frears'My Beautiful Laundrette(1985)170
Ken Loach and Sweet Sixteen(2002)178
CHAPTER Ⅵ．WORKING-CLASS IDENTITY IN 1990s SOCIAL REALIST COMEDIES195
Brassed Off(Mark Herman,1996)197
The Full Monty(Peter Cattaneo,1997)215
Continuity and Change in Working-class Identity:Theme Analysis236
CHAPTER Ⅶ．IDEOLOGY,CULTURE,IDENTITY:ANALYSIS OF WORKING-CLASS REPRESENTATION248
The New Wave Representation:The Ideology of Affluence and the New Left249
Films of the 1980s,1990s and 2000s:Neo-liberalism and Working-class Identity266
For Williams' "Equality of Being":The Need of Cultural Policy Support283
CHAPTER Ⅷ．CONCLUSION287
REFERENCES293