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中国的音乐艺术PDF|Epub|txt|kindle电子书版本网盘下载
- 乐维思著 著
- 出版社： 北平法文图书馆
- ISBN：
- 出版时间：未知
- 标注页数：234页
- 文件大小：31MB
- 文件页数：249页
- 主题词：
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图书目录
PART Ⅰ．—THE ORIGIN OF THE ART3
INTRODUCTION．—LANGUAGE AND MELODY3
CHAPTER Ⅰ．—THE MUSIC OF THE CHINESE LANGUAGE10
CHAPTER Ⅱ．—THE BASIS OF MUSICAL COMPOSITION19
PART Ⅱ．—THE DEVELOPMENT OF THE ART47
CHAPTER Ⅲ．—THE ART OF MUSICAL COMPOSITION47
CHAPTER Ⅳ．—SCALE STRUCTURE63
CHAPTER Ⅴ．—PARALLELS BETWEEN THE NEUMES OF CHINA AND EUROPE81
PART Ⅲ．—ANALYSES OF COMPOSITIONS OF HIGHEST DEVELOPMENT89
CHAPTER Ⅵ．—NOTATION89
CHAPTER Ⅶ．—METHOD OF STUDY97
CHAPTER Ⅷ．—MUSIC-POEMS AND MELODIES OF HIGHEST DEVELOPMENT.THEIR TRANSCRIPTION AND ANALYSIS104
Music-Poems composed in the T'ang and Sung dynasties with tonal superstructure added in the Ch'ing dynasty:Music-Poem I(Untitled),analysed to show the strict application of tones upon neumes;the basis of melody,rhythm and form analysed104
Music-Poem Ⅱ(Tan Kuei),analysed to demon-strate the general application of tones to neumes;its melody,rhythm and form analysed125
Music-Poem Ⅲ(Chu Chih),analysed to illustrate one of the shortest forms of musical composition;its melody,rhythm and form analysed140
Music Poem Ⅳ(P？n I), analysed to show the basis of structure and ones in a larger composition;its melody,rhythm and form analysed145
Music Poem Ⅴ(Unitlted)with structure and onal superstructure entirely composed in the Sung dynasty;analysed to show the significance of scale notation,and the thematic structure and tonal superstructure in relation to the whole composition168
Music-Poems Ⅵ—Ⅸof the Sung dynasty,transcribed to show the use of modes,seven and nine tone scales172
PARTⅣ．—CONCLUSION181
CHAPTER Ⅸ．—THE RECONSTRUCTION OF THE ANCIENT ART181
CHAPTER Ⅹ．—REMARKS ON THE FUTURE OF CHINESE MUSIC197
APPENDICES210
Ⅰ．—Table of 36 Chinese phonetic elements according to the different tones of the scale and dynamic quality drawn up in the Liang Dynasty（502-534）210
Ⅱ．—Karlgren's arrangement of various phonems as to their natural difference in audibility210
Ⅲ．—Karlgren's arrangement of the phonetic elements as to higher and lower pitch values210
Ⅳ．—Example of purely Western instrumental composition and its basis of form as defined by Chinese symbols of structure212
BIBLIOGRAPHIES214
Works in European Languages214
Chinese works216
INDEX220